I don't have the necessary waterslide paper, either. I'll need it for this.
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Won't that look cool?
Then?
Saddles.
4-way wiring.
Strap locks.
B-Bender.
Paul then moves it up to the fifth fret, where it moves from an E minor to an A minorE -0-----0-----0-----0-----0-----0------
B ---0-----0-----0-----0-----0-----0----
G -----0-----0-----0-----0-----0-----0--
D --------------------------------------
A --------------------------------------
E --------------------------------------
He then suggests you try it with other A minor forms, with ornamental notes, to keep your ear and left hand from being bored.E -5-----5-----5-----5-----5-----5------
B ---5-----5-----5-----5-----5-----5----
G -----5-----5-----5-----5-----5-----5--
D --------------------------------------
A --------------------------------------
E --------------------------------------
Which is all sort of interesting in and of itself. But I first saw this pattern (up-up-down, or UUD) on an Al Dimeola instructional video from 1992. He put that pattern somewhere else.E -5-----8-----12----8-----11----8------
B ---5----10-----13----10---10-----10---
G -----5-----9-----14----9-----9-----9--
D --------------------------------------
A --------------------------------------
E --------------------------------------
That is G,D and G#, for those keeping up at home. That's G# flat-5 major-7. Or Gminor2? Any way, there's lots of tension that gets relieved when you drop it back to G5.E --------------------------------------
B --------------------------------------
G --------------------------------------
D -5-----5-----5-----5-----5-----5------
A ---5-----5-----5-----5-----5-----5----
E -----4-----4-----4-----4-----4-----4--
Now, remember my term for that? I have been drawn toward bluegrass, and specifically flatpicking. You have heard me go on about Clarence White, and from the guitars I have pointed to and the videos I have linked to, you might have thought he was just a chicken-pickin' country rock guy. He started out being a bluegrass picker, a master of the crosspicking style, where you use one flatpick to mimic the fingerpick style of banjo players.E --------------------------------------
B --------------------------------------
G --------------------------------------
D -5-----5-----5-----5-----5-----5------
A ---5-----5-----5-----5-----5-----5----
E -----4-----4-----4-----3-----3-----3--
Do you see it? Do you see the change here? They generally are trending down instead of up. The Gilbert style would be considered a "backwards roll". And there are generally two schools of thought in the flatpicking community: pick down-down-up, basically reversing the Gilbert/DiMeola order and the straight alternate picking people. In short, there's DDU ...E --------------------------------------
B -----0-----0-----0-----0-----0-----0--
G ---0-----0-----0-----0-----0-----0----
D -0-----0-----0-----0-----0-----0------
A --------------------------------------
E --------------------------------------
And there's DUDU ...E --------------------------------------
B -----u-----u-----u-----u-----u-----u--
G ---d-----d-----d-----d-----d-----d----
D -d-----d-----d-----d-----d-----d------
A --------------------------------------
E --------------------------------------
I have tried to pick up DUDU and DU (On Flatpick-L, you're no part of nothin' if you don't do DUDU), but I have never been able to get any power or even much accuracy with those techniques. But I am able to get decent speed, accuracy and power with the Gilbert-DiMeola UDD method. Which is interesting.
E --------------------------------------
B -----d-----u-----d-----u-----d-----u--
G ---u-----d-----u-----d-----u-----d----
D -d-----u-----d-----u-----d-----u------
A --------------------------------------
E --------------------------------------