This is a chord show to me tonight as I played. Those are a few places where the movable parts don't sound too bad with the ringing B and E. This is a jangly clean-tone chord, but give it try.E ---0----0----0---
B ---0----0----0---
G ---11---9----6---
D ---12---10---7---
A ---10---8----5---
E ---12---10---7---
Looking just at the EADG strings, first, notice that we have the root, minor third and dominant seventh. It would be easy to say Emin7, Dmin7, Bmin7, but that doesn't bring in the G string. In the first case, that's an F#. That's an octave up from the root, so that's a 9? Emin9? We'll assume that someone, somewhere, will fill in that fifth. Come to think of it, the open B string gives us the fifth. So, yes, Emin9.
Drop down to the second chord and you see that's a Dmin9, except the B and E become a 4 or 11 and another 9. So Dmin9sus4?
When we get to the B, that's root minor-third dominant-seventh ninth root fourth, so again a Bmin9sus4.
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